Thursday, March 15, 2018

Queerness, Homonationalism, and Post-Liberalism

There are a few individuals in the far right that are gay. All of them are quiet about it. Milo Yiannopoulos once stood out as being the alt-right faggot. Not anymore.

Gays in the far-right are an extroverted class. No one online proclaims themselves as “the gay alt-right guy.” But when you meet these guys at weirdo events, I’m sure they are happy to tell you how gay they are (and how cool it is).

Personally, I met five closet homos in the far-right sphere. Note, not “alt-right” scene. Right-wing gays are perhaps the most intellectual of all right-wing thinkers. It’s like being a monk. Women are sexual demons, and these sensitive men are favoring the bond of intellectualism.

Alisdair Clarke was one of the only esoteric gay people in the far-right, and did a good job fighting for a new Männerbund homosexuality. I will repeat, there is an esoteric reason for being gay in the far-right.

Death in June anyone?

But let’s get to the bottom of this. You are a snowflake for being in the alt-right.

I don’t want to hear how cool you are for hanging out with James Allsup, attending Unite The Right, and keeping up with the latest Murdoch Murdoch cartoons. Chances are, your a special individual. Your a typical millennial. Your life depends on being special.

And that’s exactly what queerness is about.

Being “queer” does not mean having a deviant sexuality. A few decades ago, if you were some avant-garde beatnik into Ellsworth Kelly and Richard Williams, you were strange. You had feelings against the “squares” and the normative society. If only things were more about freedom of expression and complete liberalism.

The next thing you know, NAMBLA supporters, promiscuous flower children, and punk rockers all hijacked the word “queer.”

Face it. You are in the alt-right because you want to be strange yourself. It’s what empowers you. Your life is like a Steven Universe drama. This is the true meaning behind queerness.

Yet some have the audacity (and stubbornness) that being homosexual and associating with a movement that would literally throw them in an oven is not wrong at all.

…I know all you fags love the attention. You love this paradox. It makes your traumas more justified and your personality more spicier.

Keith Haring would once plaster New York with his “Go Home Clones,” graffiti, because he believed there were “clone” gays and authentic ones. He apparently believed he was the authentic one (or so he thought).

Young people are in a high-school preening contest. And all of you homonationalist want a world without globalism just to sound cool. You know that being gay is a white virtue. You don’t want black cock, small asian cock, or foreign cock that is scary (It feels like rape, I know). You want nice, ethical and charming white cock. You know if there are no more white people, there is no more gay culture. You are homosexuals that discriminate in favor of daddy rape fantasies, dressed in Nazi uniforms.

You get high off this stuff.

…But your also an anti-liberal.

We can all agree we hate SJWs. We hate our baby boomer parents. We want a world without public education teaching about the holocaust. Yeah, yeah, yeah.

So that is the narrative for all normies in the alt-right, isn’t it?” You see, the glacier gets deeper.

The left is all about progressive stacking, that is, letting the black tranny speak first. And how ironic is it, when the new “based” gay guy will make a new progressive stacking technique for all the far-right to see. “How about we let the cis-gendered white man speak first! Then let us cool faggots speak at a private invite-only freemason event. You wouldn’t think of us as normal gay people, because we are all about making society normal in favor of protecting our own queerness!

Blaire White, a right-wing tranny, is only saying the things he says for fame. Just like how XXXtentacion, Lil Pump, Liluzivert, Slim Jesus, and other Soundcloud rappers get into their own drama.

Google forces us to appreciate some bizarre artist every other day on their front “Google doodle” page to make even the most dumbest normie feel enlightened. Some on the esoteric far-right are hard at work trying to dig up snowflakes that have been buried in the past for being too fringy (Miguel Serrano, Savitri Devi, Julius Evola). Is this good? Or is just another hipster outlet of finding “that really good record?”

Imagine one day, in 2050, when the new elite have Camille Paglia as a Google doodle.

If the millennial generation is defined by a trait, it is that we are a generation of hipsters, whether we admit this or not. Young people only care about impressing their social peers. It’s cool to be the black guy, asian girl, tranny, or gay guy in the far-right.

Oh well, Orwell! What have we gotten ourselves into?

I strongly believe that there needs to be a party for open far-right homosexuals. They have remained in closet because it is now actually “cool” to be a closet faggot again. However, it’s only “cool” to let the normie white guy speak, and ironically let the underground gay guys be hipsters again. Gay people always feel like outsiders (just like you, dear reader). This is the snowflake mentality.

I dare you! Take a step out of the closet and create a gay party for the far-right. Identity politics is inevitable. If human bio-diversity and the philosophy of Martin Heidegger is to flourish, then I suggest we end all white lies (pun intended). Truth lies in authenticity. Inauthentic people beat their wife and cheat on them (Matthew Heimbach).

The far-right in the coming decades will morph into cultural fascism, and all inner city hipsters will create a new “fashy” subculture. And it will be full of “poz,” contradicting what the introverted alt-right hates.

We can keep our unique homonationalism, but let us admit to the fact that we are all queer people, wishing to overthrow the neoliberal elite. If you can imagine a right-wing version of The Wild Boys: A Book of The Dead, so be it.

 

Friday, February 23, 2018

Fashwave Sectarianism Vs. Vaporwave Hegemony

In a recent liberal hit piece, fashwave has been called “the suicidal retro-futurist art of the alt-right.” We are warned that this fringe art movement is proselytizing young people into a racist movement full of “hate.” The article presents the fashwave phenomenon as another mischievous creation of the far-Right, hijacking a popular genre, vaporwave, for its political aims. As Jack Smith writes, “vaporwave is set up perfectly for a right-wing heist, just as the far right has stolen leftist youth culture for decades, from Hitler to heavy metal.”

As if the only type of art we will ever have comes from the Left.

It is only natural for popular art to filter into all forms of intellectual discourse. And when chan culture, ruled by an order of isolated and socially inept young people, creates memes and clashes with the normie class, one such result is fashwave.

But a better understanding of fashwave should not come from why and what makes it popular, but where all this original art is coming from.

Vaporwave is one of the most significant and influential artistic movements of the last decade. You’ve seen memes where “A E S E T H I C” is spelled out as if written by a Japanese. And you might have seen Greek busts of Helios and bubblegum pink tiles too. It’s all a function of the outsize influence of a “micro-genre” of music, vaporwave.

Music genres propagate and ramify like internet memes. But such micro-genres as seapunk, chillwave, which house, and cloud rap all come from one original source, and that is vaporwave.

Vaporwave is a genre of electronic music that pays tribute to the music of the 1980s, 1990s, and earlier decades of nostalgic-tech and media.

Smith declares that fashwave is problematic for the globalist project: “Vaporwave and fashwave both play in the ruins of modern consumerism. And both genres force us to consider how much we have lost so quickly.”

Why is there such an End-of-the-World slant to vaporwave?

The first ever vaporwave release was Daniel Lopatin’s Chuck Pearson’s Eccojams Vol. 1. This was a humorous release of cut-up or “plunderphonic” samples of cheesy pop songs. “Ecco” was a reference to the Sega Genesis game of the same name (many millennials grew up playing the game or knowing about it).

Lopatin’s ethnic background is Russian and Jewish. He cites Deleuze, DeLanda, and Heidegger as philosophical influences. Typical of his postmodern upbringing, often Lopatin creates avant-garde, “guggenheim” style of electronic music under the name Oneohtrix Point Never. Eccojams has since became an early magnus opus in his career and in vaporwave. As Lopatin has stated in an interview,

“I remember reading this great philosopher named Julia Kristeva, a French feminist philosopher, and she says — generally, she says a lot of amazing things — but in this essay called “Powers of Horror” she talks about the abject things that come out that we have desire to see. So the things that we try to contain within us is like this pre-semiotic reality and society is the way we want to present ourselves. Like, we wear clothes, and things are not coming out, there’s no excrement or whatever.”

Lopatin feels a certain attitude of deracination towards everything (a term of praise for a postmodern philosopher). It is very common in the vaporwave genre to express feelings of consumer nihilism. And often this flirtation with so-called cutting-edge postmodern philosophy makes everything more pretentious.

Another important release to come out of the vaporwave canon was Mactintosh Plus’s Floral Shoppe. Its iconic album art, featuring that Greek bust, has became staple for all jokes about vaporwave. It was also the primary influence on the emergence of fashwave.

However, the album’s creator goes by the name “Ramona Andra Xavier,” a non-cisgendered person of color. Xavier was also in email contact with Lopatin, making this social connection all too conspiratorial.

In a popular YouTube documentary about the history of vaporwave, the narrator, Wolfenstien OS X, defines the fall of vaporwave after the adoption of the Floral Shoppe consumer ideology it promoted (6:40):

“This ideal for the genre continue to dominate the tone of most vaporwave releases… This gave the genre a bad rap as it seemed to be stagnant in its development and was doomed to be an awkward phase of music, which was shallow in meaning and production quality. Eventually most releases were horribly put together messes just to undermine the true essence of what of the genre was about.”

Traditionally, vaporwave was “hyponagogic,” meaning that the music was to evoke a dreamlike state and certain feelings of nostalgia in the listener. This is why often vaporwave releases are slowed-down versions popular songs, creating an otherworldly muzak. The genre took other names like “mall-soft,” or the rave style of “hardvapour.” This is what retro-wave music also does, as it feeds into nostalgia for 1980s synthpop.

It is very popular for vaporwave to be exclusively released on cassette tapes. Bandcamp.com has outsourced the entire genre through their website. Cassette runs are often limited to 30-60 copies and fetch high prices on Discogs and Ebay. Vaporwave dared to challenge the market of cassette culture by creating a genre of music that resembles nostalgic artifacts. Rather, as Wolfenstein OS X explains, it is “post-music,” and the genre is not to be casually listened to like “music,” but to be enjoyed for the fact of its own existence. Popular vaporwave cassettes are judged and sold on the fact that it gives the listener feelings of escapism.

There is even an essential guide to vaporwave, which is a good introduction to the genre. Not all of the music is good. In fact most of it is bad. There is probably two or three albums you will admire from the list. I strongly believe the purpose of this guide and Wolfenstein OS X’s vaporwave documentary was to sell more cassettes from the Dream Catalogue label.

I believe that vaporwave is inherently reactionary, because it is nostalgic. But there is also something decadent about vaporwave. Music is being solely created as pretty pieces of artwork. Everything is alienated, and nothing meaningful is being established. Postmodern philosophy is running rampant, while SWPL hipsters use its logic to justify the genre. And ever since Eccojams, this formula has been regurgitating in the Bandcamp marketplace. It is an anonymous 4chan culture of “post-music” that has no greater meaning. This is the globalist agenda of vaporwave. It only wants you to buy more cassettes from Bandcamp while pretending you are an expert on Deleuze.

The genre of vaporwave has became a tool for chan culture, and thus it was only natural for The Daily Stormer trolls to take advantage of it. Thus, fashwave was created to instill meaning back into the vaporwave movement.

Fashwave’s most important acts are Xurious and Cybernazi. Both Xurious and Cybernazi typically create retro-futuristic, italo-disco-style music that differs from the hypnogogic style of releases of Eccojams and Floral Shoppe.

Xurious has played at NPI and conceives his target audience as the Alt Right. Cybernazi does the same thing, but remains anonymous over the internet. Fashwave is stuck in the Right-wing ghetto, as it became solely a vaporwave “cultural appropriation” for the Alt Right. I understand Right-wing genres of music can embrace everyone from Death In June and Peste Noire to Taylor Swift. The similarity is that these acts all openly or implicitly touch upon our people and our interests.

Since most of the Alt Right movement listens to Xurious, Cybernazi, and horrible “Weird Al” Yankovic neo-nazi dubs of pop songs, it’s a mistake to think fashwave is an up and coming music genre. It will soon die in its right-wing ghetto, until a new popular music genre will appear. And then the far-Right will appropriate that new genre for its audience, leading to another liberal hit piece.

But fashwave is just too good to confine itself to the Right-wing ghetto. To make a real impact on the culture, fashwave must adopt a “today the Alt Right, tomorrow the world” ethos. We have to make fashwave global.

The way forward has been blazed by Blank Banshee. If there is one major vaporwave act that is influencing music today that a healthy Right-wing person could like, my suggestion is Blank Banshee.

Blank Banshee is targeting inner-city hipsters and a majority of people who are just discovering vaporwave. Blank Banshee, or Patrick Driscoll, is an authoritative figure of post-vaporwave. Oneohtrix Point Never is to busy creating globalist friendly artsy music, and Vektroid is too arrogant, chasing after “scene” credibility.

Blank Banshee came into the genre as the first “vapor trap” act. That is a mix between vaporwave and traps music. His debut album, 0, was a viral meme and snowballed the success of his music career.

But perhaps Blank Banshee’s most loved album is 1, his second album. On the album, “Ecozones” is a tribute to Donkey Kong Country’s Aquatic Ambience. “Anxiety Online,” “LSD Polyphony,” “Big Gulp,” and “Cyber Slums” are some of the best vaporwave dance songs ever released. But tracks like “Doldrum Corp,” “Realization,” and “Paradise Disc,” bring about a certain aesthetic dream vision, more than what fashwave has tried to impose. What makes this album stand out are the CGI visuals that accompany the songs during live performance. It is very difficult for any artist to create such a Gesamtkunstwerk.

It is assumed that Blank Banshee created all the visuals to go along with the release. He is also said to have released some CD-Rs in the Chinese black market (this might be a joke). He shares a penchant for anonymity with another electronic act, Boards of Canada. Boards of Canada is know for avoiding all interviews and giving little information about their releases, yet they have a giant fan base, including a Fox News reporter. Blank Banshee wears a mask like Death in June and hides from all public interviews. His live performances includes a giant move projector of his animations, as he triggers samples from his MPC controller. His music ranges from sample snippets of video games to anime, from Super Mario 64to Akira, with lush and atmospheric hip-hop beats and textures. It supersedes the boring mall muzak of Eccojams and approaches a new form of pop music that truly envisions a new future.

Blank Banshee has released all of his albums on cassette, which quickly sold out during the Christmas season of 2017. His debut 2017 tour was very promising as it was the first major “vaporwave” act to tour the United States and Canada.

Blank Banshee aligned his music with any political ideology and is quite playful with his art. It is hard to admire something that is egalitarian and Marxist or the creeping postmodern message that is trying to latch onto vaporwave. But listening to fashwave, just because it is “fashy,” is stubborn and self-defeating.

At its core, the vaporwave genre nostalgically admires the past: VHS tapes, electronic synthesizers, retro-futuristic cars, vector grids, vintage arcade games, bad consumer products, Japanese culture, etc. Subverting it with fascist imagery is not enough. Death in June is a master at this collage art. Let’s just leave it to him.

Vaporwave is the music of the future. If vaporwave is inherently reactionary, nostalgic, and retro-futurist, it is already Right-wing. The whole thing is Right-wing. Not just the fashwave secession. What I would like to see is a critical discourse that accompanies and interprets the vaporwave genre as an essentially anti-liberal art form sprung from a sincere longing for the future we were promised but denied, without cutting itself on edgy National Socialist and Evola memes. Sure, people will try to trot out Capitalism and Schizophrenia, but but it’s up to us to call out such errors in thinking. It is up to us to construct a dominant anti-liberal paradigm to eventually turn vaporwave discourse, and the music itself, against the globalist nihilism and transhumanist philosophy of Eccojams and Floral Shoppe.

Fashwave is dead! Long live fashwave!

 

Sunday, December 24, 2017

Truth and Fantasy

If you read a white nationalist publication like counter-currents, often the argument is that they are providing the “truth” on their side. This truth is based upon objective and grounded reality. This can range from race studies, classical philosophy, and The Bell Curve.

What makes white nationalism and the Alt-Right so appealing to our generation, is not only that it is anti-liberal in nature, but it offers Sargon-of-Akkad-tier arguments for the truth which millennials have been fogged over by the boomers. Once someone goes 1488, they can never switch back over to a Marxist ideology. Why is that? Because truth is on the white nationalist side.

Marxist have created a utopian dream society that can only be realized through social engineering and propaganda. In other words, there is a trans humanist war against the natural world. Marxist are rebelling against mother nature, and ethnonationalist are trying to find commune within nature (creating a “human bio-diversity” future and Martin Heidegger style socialism).

This spiritual war is between two parties. Yet, the argument is twofold. Ethnonationalism believe you should come to their side because they have the truth, while Marxist believe we should fight against all forms of oppression and create the selfish society we want to live in as individuals.

…Both unfortunately seem to be wrong.

Marxist are wrong for many reasons, but white nationalist are wrong for assuming radical honesty is the answer. There is nothing wrong with being honest. In fact, I hate people who are inauthentic and hypocritical, even if they show one drop of it. What white nationalist do not understand is that youth is a motivator for truth.

Often drug addicted and perverted nazis will say that “youth is a folly and everything I learned from my cultural Marxist professors was wrong. If only I was more ‘based’ and became a Traditionalist would I find greater meaning in life.” Millennials, now hitting their mid 20s, are going through something similar.

Liberals tend to call this “woke,” while the Alt-Right says its taking the “red pill.” (Personally, I believe these coming-to-age terminologies are postmodern in nature and divide the individual with irony and eclecticism). Youth was only a “phase” for them and nothing special. It was the loss of innocence handed over to guilt created the complex scientist-playing-god adult. Right?

I am very skeptical (and have intense hatred) for the individual who claims they are an “adult” now. (Because they drink beer, smoke cigarettes, work a full-tine job, use tinder for inane and disgusting one night stands, do drugs at “parties,” swear like a sailor, while upholding that they are someone the descendent of Socrates).

Religion has proven throughout time that humanity needs to build civilization in order to go forward. That means morals and ethics must be enforce. A true man against the kali yuga role-plays the Christ figure. Someone must become a martyry in order to show this decadent world there is hope in humanity. I am strong advocate of Rene Girard philosophy.

“Adultism" runs rampant in society by those who are irresponsible. “When your 30, you will realize there is more to life than partying!” (ironically said by someone who did those same things), and “I am 22 years old and I can work at Apple!” (said by someone who lacks experience and full of arrogance).

Life is an ongoing journey through wisdom and knowledge, and any healthy human being should grow, not die, as they age. Faulty conclusions are reached at certain points, such like the The Asian Feminist Fallacy. Or that the adult is still a kid trapped inside the body. It should be a priority for every human being to contribute towards society and create a greater civilization for future generations.

…But all of this I have just wrote, is any of this grounded in “truth?” It sounds like it. But what if one does something different to achieve greater society, like through Asian-Aryanism or Marxism? A white nationalist would argue that both are living in a dream bubble. That a magazine like Cosmopolitan sell dreams. And now pornography controls our sexuality. 

In 2017, we live in a society behind computer screens and communicate writing digital letters. We use virtual avatars to represent ourselves and play video games for fun. The outside world is becoming bleak and darker, as the white people who consume in this technology run away from the nature of the world. Technology progresses and the population is booming. The western world is becoming “Asianized.”

All of this is a fantasy, yet in practical terms, it is becoming a reality. White nationalist argue that by reversing such trends, could whites find the Heidegger-style “truth” and make rational, christian choice. White men would then choose over white women simply because “it’s for the greater good.” Again, where is this greater good if everyone is already enjoying watching anime than watching Lauren Rose videos?

For all the white people that end up reproducing with other white people, they will have to grow another generation of “racially aware” whites, preferring them over the seething masses of nonwhites. (maybe something like The Node will happen). This hyper-conscious attempt to uphold society is based upon anxiety and racial duty. And white nationalist will continue to argue that it is based upon the “truth.” In other words, if you can imagine the philosophy of Martin Heidegger becoming a movement, it would be ethnonationalism.

That is not to say Martin Heidegger is wrong. But the radical attempts to try and box people away from their own freedom of association is wrong. White people have an amazing trait to go beyond the limit of mother nature, and in doing so, they wish to create something much greater in life. White people have created rockets to the moon and modern forms of art.

In a bleak world full of nonwhites, white people will not be there to create the progressing future. It’s why I subscribe to ethnonationalism. But at the same time, ultimately, I am a eurasian futurist. I am an anti-liberal at heart trying to find the right system that will cause the less conflict and make every person on this earth happy.

A communist country can exist over there, and a Spencer all-white-utopia down there. But I would like to live in that hip place over there, that has all the whites, Asians, and Eurasians living together n harmony. That is ethnonationalism in a nutshell.

And still, there are nazies who claim that any form of coexistence and biculturalism is wrong and not based upon “truth.” If they had it there way, they would eliminate the future possibility of a bicultural or mixed-race person. Either they are “red” or they are “blue.”

Truth does exist. We often have fantasies about out future. We can make our dreams become a reality if we work hard to achieve them. Most norms live in fantasies they learn from watching television and browsing the internet. Obviously if someone is “gay,” it must mean 30% of the country is gay too! And if Enid from OK KO: Let’s Be Friends is a black, purple haired ninja girl, well, there must be a person like her in this world.

René Girard argued that life is about the mimic throes. People desire what other people want. “If he has an Asian girlfriend, then I want an Asian girlfriend too!”

Is it bad life is based upon envy, jealously, and dreams to escape reality? There are negative consequences that a smart person must realize in order to overcome. But desires don’t change.

I know too many white nationalist that once had asian girlfriends in their youth (and had sex with them), only then to “grow up” and say “I’m into traditionalist white girls now and the alt-right is the future.” This is a great example of hypocrisy, inauthenticity, and stupidity.

People who do this are denying their true nature. They are running away from their true desires of life and pursue something that is artificially not them. As Girard puts it, they take the life of someone else. Other symptoms, like depressions and lack of confidence might be a motivator of this action. But ultimately, I strongly believe it has to do with stupidity, adults, and true immaturity.

And these same people will tell you “truth” is on their side. Mind you, it’s a trick for hipster racism. Watch out. Realize its they who are misguided in life and sin by becoming too “edgy” for preening purposes.

If there was any truth to this, they want life to become like an anime.

The argument they make is the same Ryan Anderson makes in The Birth of Prudence. “Well, it has nothing to do that she is Asian, but, choosing white over Asian is the right thing to do.” I also assume Ryan is guilty of Asian desires. But he doubles down and pretends he’s doing the “right” thing. Why would you write a book in the first place? 

To refute Asian-Aryanism? No. It’s about himself. This “truth” veneer is quite dangerous for most young people. It denies their desires and gives into “truth-nihilism.” A bleak system of “well it doesn’t accord with white nationalism, so I can’t truly respect this piece of art.”

Millennials are trying so hard to be unique. But in the end, they are still snowflakes. Just like me.

The Amnesty Argument

The argument which all White nationalists subscribe to is a one against race mixing. The far-right will often believe that there can be no bicultural or “third position” race. The argument follows that there can be only “White” or “Asian.” There simply cannot be a “Eurasian” one. The mixed race person (or something that isn’t mixed at all) must choose a team consisting of either red or blue. There is no purple team.

Greg Johnson of Counter-Currents will also extend the argument to include “people of some mixed Asian ancestry” in an all white ethnostate. But that person cannot ultimately race mix further. This is an amnesty. There is amnesty for mixed race people and they have to chose a side. Hence I call this phenols the “amnesty argument.”

Debate or talk to anyone on the alt-right, and the argument is that mixed race people belong on THAT side, but not the white one. In a way, there is a society of high minded white aristocrat, and then a sweeping mass of brown degenerate people. How has this citation improved?

White nationalist claim to have truth on their side. But the actual truth is, they don’t have an answer for the other, simply because they don’t care about the other. Hipster racism has already infiltrated the alt-right, creating more plants like Lauren Rose and Tara McCarthy to appear.

The Golden One explained in a video (I forget which one) that what the Cultural Marxist did to academia in 60s, is what the Alt-right will do in 2020. There is now Cultural Fascism. No one wants to debate it is because it is the hip and edgy norm all the cool kids are gravitating towards. They take their ideology from already established white nationalist and reinvent for their poorly thought out high-school mentality of social signaling.

White millennials are being proselytized to become white nationalist, and will neglect the future for half-white people. Do these mixed people assert themselves as fellow white people? Or do they belong in the gas chamber? There is no answer.

I, however, assert that biculturalism is the answer. And for Whites and Asians, call it “Eurasianism” or “Asian Aryanism.”

In a future where neo-liberalism is doomed, ethnonationalism will eventually replace it. And when ethnonationalism does replace the PC-tyrannical Kalergi plan, ethnonationalism will advocate that all races belong back to their designated “homelands.” Basically, Zionism for all peoples.

If ethnonationalsim was to reach out to a larger audience, then it should be reached out those those who don’t belong to a 100% “white” or “Asian” side. There has to be an institution to advocates biculturalism. The location of such a place would be the size of an Amish community. It could be in an white or Asian ethnosate, but has it’s own control (like Taiwan ). Could such a place be envisioned?

This is what I been arguing for. The Amnesty Argument is not enough to answer the events of the past century. We simply cannot forget past history and move forward. There is no white-nationalist janitor that cleans out the decadence of the past and everything is wonderfully fixed. Technology is growing, and will eliminate certain generation social norms and trends.

Transhumanism is an opponent against white nationalism. Asian-Aryanism is not transhumanist, but is ethnonationalist and bicultural. This a problem the alt-right must face, but clearly it is too busy watching and consuming Youtube drama.

The normie doesn’t want the arts. The normie wants to norm but also wants to be an individual. The alt-right is a collective party of white individuals who want to believe they are in a collective. A sad high school mentality that addresses nothing.

In the end, international capitalism will make profit off the alt-rights demands, and they will always be keyboard warriors consuming and being complacent. Like someone who watches info wars.

Norms hate eccentrics because they don’t understand them. They want the alt-right to control crazy behavior. The world would be simple if people were just red or blue. If only the truth was grounded on the reality of race and sexuality, things would be better.

But no one on the alt-right has an answer for the differences of race or sexuality. They claim it, and watch as they suck into the powers of Lauren Rose and admire anime.

This dangerous belief of “claiming to be based on the truth” is what motivates arrogance in the normie looking for attention.

Jim Goad, who is an ultimate skeptic and truth seeker, is not someone on the alt-right. He does his own thing. And does a good job at it. I would classify myself as a Goadian. It docent mean I have to subscribe to a new world religion based upon ethnonationalism. What it means is that I fight against the hypocrisy of normal people, because quite frankly, I hate norms. I hate when norms try and disguise themselves to be like me, do I find them to be even more repulsive.

The amnesty argument is a one-dimensional argument for ideological norms. They don’t have answers. Just social signals.

Monday, November 27, 2017

The Orientals Guide to Sex, Strength, and Satisfaction

…There is a coming crisis with the western (and globalized) dominant ideology of multiculturalism. The ideology is practiced among the global elites. Ironically, the white people who partake in this practice, use the religion as a “code of ethics” and a way for social signaling that they are good people.

Not only there is a strong correlation of low birth rates among whites, there is also a rising population of nonwhites. If “abolishing whiteness,” is the key to happiness, then why such philosophies like capitalism, egalitarianism, christianity, and universalism are so widely spread to other nonwhites?

We could have a huge digression about the falling nature of the past three generations of white people, or how white people are pathologically altruistic, or how there is an inner nature for white people to create a futuristic transhumanist society. But I would rather spend the time discussing the importance of Larsen Helleck’s book The Originals Guide to Sex Strength Satisfaction.

White people today try so hard to make the multicultural system work. This requires assimilating nonwhites into white culture, or peacefully “coexisting” with them in free-market capitalism (ironically made for white people). Radical white people are told to race-mix and create a new race of people that Richard von Coudenhove-Kalergi once dreamed of.

Unfortunately, after half a century of civil rights, nonwhites continue to separate, whites decline in birthrates, and race-mixed children end up choosing a nonwhite side or committing suicide. Sadly, there is no “third-position” race that white liberals magically present (because they secretly would rather want to be with white liberals like themselves).

An entire generation of racially-confused, half-white people are told by white liberals that “there is no such thing as race” and “talking about such issues leads to racism.” And every single half-white person should be fighting for an egalitarian society. Again, there is no third position.

The entire millennial generation of white people are waking up to this horrible Conradian horror. Deep down inside, they know all of this is not true. It’s just christian optimism mixed with decadent and materialistic nihilism. Another way of saying, “your life is special, now leave me alone and let me live my anime lifestyle!”

If half-whites are to follow such folly as the previous generations of whites did, then they will follow the same nihilistic death as well.

There is a question we should be confronting, “can biculturalism really work?”

We are told multiculturalism works, but we see it is a source of tension and conflict, and continues to make people separate (diehard multiculturalist should move to Brazil).

And what about the half-white people that are functioning in society? Should they just leave and go find their roots on the other side? Or are they white? I believe that neither side will accept them, and must embrace a third position where biculturalism is a functioning system. This is a crucial issue for any mixed-race person to confront. Either live or die.

…and this is where Helleck’s book comes in.

Oriental Guide is written in the classic tradition of a manosphere do-it-yourself style. It is straight forward without any hidden messages. It is a manual for the dispossessed Asian American man looking for purpose.

As a disclaimer, I am not Asian. Paranoid and pretentious scholars would scoff at me saying that I am “whitesplaining” to a demographic I am ignorant of. I don’t have to explain myself, since I am writing about biculturalism rather than the perspective of an Asian American.

In a race realist society, Asian men living in a white society are contested with white standards. The Asian women falls down to the powers of the nature-breaking and romantic white men, and the obedient Asian men have to double down competition to win their own Asian American women over. This causes an extreme complication in a equality loving, liberal narrative white society. The answer for normies is to blame white men, shout for equality, or bring down strong men to weak standards. Still, it doesn't work. It causes more decadence and eventually, Asian-Aryanism.

Honest people know the truth. And Helleck gives the truth to young Asian men.

The first chapter of the book is the most significant. Helleck’s thesis is that Asian men have the upmost masculine power in the world. The problem is that a growing population, globalization, and Western intervention has slowed down their true powers. There is a dragon that sleeps in every Asian man, willing to break out.

Helleck’s book is manual to the let the dragon out. He provides quick arguments and refutations against liberal claims that Asians are an “oppressed” group. Going forward, Helleck provides 70 plus pages how to work out and get fit. The next few chapters are crash courses through fashion, language, and sex.

The reader should put down the book after reading the first 80 pages, and make up his mind if he wants to continue being disciplined. The workout routine has a strong influence among the reader, that is if the reader is willing to commit the time to it. In a way, the book is three books in one, but for Asian men. Imagine Arron Cleary’s Bachelor Pads Economics, Jack Donovan’s The Way of Men, and Roosh V’s Bang condensed just for the Asian audience. It is very effective for the first time reader.

I would recommend to commit to Helleck’s routines after reading the first and last chapter. A critical motivation must be developed before the reader goes on his intellectual journey into manhood. The reason behind the book can be summed up in 20 pages… Asian men need guidance more than ever in a failing, multicultural world.

White liberals are committing suicide, and China might as well take over America and put it in a wax museum for them to look at. If any responsibility is to be accomplished, Asian-Americans must choose a side. Will they fight for their “Asian” side, or will they create something entirely new after the kali yuga? Both might happen at the same time.

Young white millennials have been trying to do the same. However, those who are race-mixed still suffer from their deluded parents and liberal media. This is the most important group that Helleck’s book can target.

Although I am pessimistic, I can be optimistic about the future. Imagine a world where human bio-diversity reigns supreme, technological advances are made in outer space, and people live in harmony with their own families.  …But where do the racially mixed people belong?

Fighting for their own side!

This book is important for the dissident niche against the modern world. I suggest you read it.

 

Friday, November 3, 2017

After The Blank Banshee Show

I brought my date to Blank Banshee in Philadelphia. A friend invited me to go to the event a month in advance. I could care less about the silly “vaporware” genre. Already, I have seen Oneohtrix Point Never live, and it sounded like bland digital hardcore (and not the good Atari Teenage Riot kind). I am not a fan of vaporware. I really do hate Macintosh Plus and the gay internet memes I see everywhere trying to act all “old,” “ironically authentic,” “Italo,” or just plain stupid retro-wave shit. It is definitely a fad among millennials, like remembering every single episode of Hey Arnold! or Oh Yeah! Cartoons. However, I was in for a surprise when Blank Banshee performed live.

I have not listened to his music before. I knew he was an originator of “vaportrap,” which I thought would be some gay rap music with the shit that’s going around online. Again, I was wrong. I experienced an amazing movie of some sort accompanied with his music. Banshee had an MPC controller hooked up to his MacBook along with an interface and a mixer. He was pressing (or triggering) samples along a beat. He sampled old Windows 95 boot-up sounds, Sonic 3D Blast, and kitsch nostalgic noises of the 80’s generation. “Postmodernism” is a disease among the Gen-X generation, and it is unfortunate if a pseudo intellect would classify Blank Banshee’s music as “postmodern.” But rather, he is only apart of a tradition of avant-garde musicians that sample and take what is in the era we are living through. This was the original point of “industrial” music. The same can be said about Death in June, who uses right-wing imagery and flirts with it, creating beautiful, collage art. And this is what exactly Blank Banshee is doing in the modern era.

I felt like I was watching a movie than participating in a concert. There was no moshing, sing-a-longs, or bobbing of any sorts (hipsters try to do these things, but it has became a past time for white people to just stand at concerts). The movie had a different scene for each song, though it felt like it was one big song and there was no end. It was like watching a rock opera with a plot and resolution. Blank Banshee could of been trying to advocate a secret political message behind his work. Such subliminal messages about love, “overcoming darkness,” “teenagers buying banned music,” and “chaos inside,” along with references from Akira to a very strange Pokemon everyone forgets about. It’s hard to pass the music as just stoner rock. Blank Banshee was rather a maestro conducting a post-millennial orchestra. Something in the tradition of the film Imaginarium.

The audience was unfortunately all white hipsters living in Fishtown (the most obnoxious and SWPL part of Philly). There was only ONE WMAF couple there. A cute pigtail Asian rocking out and filming the entire set (she was a little too animated). The other asian girl was some small quirky girl in overalls coming along with her friend. I cannot really claim the event as Asian-Aryan, but certainly, Blank Banshee is hitting onto something.

With all the ironic hiragana floating in his music and Japanese influence, it’s hard to ignore the fact he is envisioning an Asian-Aryan society. Yes, white people really do enjoy technology and growing up in this materialistic America… but Banshee was trying to say something about our culture. I thought maybe he was a just a drummer to a band that will become the next Erasure or Depeche Mode… I even had the thought that if Tila Tequila was his singer, Blank Banshee would be much more revolutionary in pop music. 

It was a surprise for me that I really enjoyed Blank Banshee. I’m not going to call him a simple “vaporware” or “vaportrap” act. He is tapping into something that has potential in the future. If Counter-Currents publishes books about avant-garde white nationalism and is advocating a controversial movement called the “alt-right,” Blank Banshee is planting the seeds of something that is beyond left or right wing. I could see the vaporware movement involving into it’s own philosophy about life, art, and aesthetics. In 2030, a publishing company (something like Counter-Currents, Feral House, or Nine-Banded Books) will appear, exclusively discussing post-vaporware aesthetics, fiction, commentary, and philosophy.

The alt-right exploded because of the suppression of the political right and PC tyranny. Just like a stock making profit in the market, “alt-vapor” could have a future impact onto society. What is underground today, will have popularity in the future.

The seeds I am planting is “Asian-Aryanism.” I been looking for a name change… but something that is post-vaporware will cash in on it. Me and Blank Banshee are on different roads that will lead to one destination.

 

Monday, August 28, 2017

Introducing The Alt-Left

There is a lot going on in the news about the “alt-left.” Donald Trump said it as a joke during a conference, and there is also a crazy website named, “Alt Left Watch.” (I won’t link it because it is too crazy). The only publication to get it right was from The Week:

“As best I can tell, the very first people to use the term “alt-left” was a tiny faction within the alt-right, who favor more left-leaning economic policy. However, this did not catch on. The actual popular use came later, from two sources, more or less simultaneously. First was a tu quoque from mainstream Republicans, desperately looking for something to distract from the fact that their party was now headed by an elderly addle-brained racist. If the left also had racists, then it somehow wasn’t so bad that Republicans had nominated one for president.”

The alt-left is indeed a tiny faction, and I believe the only person willing to be the ultimate judge on the issue is Brandon Adamson. However, if an “alt-left” scene is to grow, then it can’t fall under the same corrupted and immoral nature of the current “left-wing” we have today.

As of right now, I denounced the alt-right after the failure of the Unite The Right rally in Charlottesville. It’s no longer about queers associating with Boyd Rice or Death in June, it’s a cluster-fuck of misguided LARPy teenagers and intersectional “identitarians.” The latter group is hostile towards Asian-Aryanism. Furthermore, it is now “cool” and “hip” to be a tumblr chick and say you are “red pilled.”

As I said before, the Kool Kids Klub are responsible for this, and each individual is guilty of whoring oneself to be “cooler” than the other alt-right guy.

I won’t name names, but I know some of these asshats. Next time I see these Kool Kids, I’m going to fucking destroy them.

But Kool Kids are everywhere. White kids from the ages of 17-28 are responsible for such hipster douchebagery. And the coming tide of “the alt-left” is no expectation.

Now, I am not saying I am not guilty of such hipster culture (I do jokingly promote it through my social media and this website). However, we are fighting for metapolitics, and the current metapolitical tide is with the misguided white and Asian youth. Whoever wins this intellectual discourse on the internet, creates the obnoxious punk-house-party kids we see in every urban and metrosexual city.

Asian-Aryanism plants the seeds in all areas, introverted and extroverted. There will be Asian-Aryan Chads and Asian-Aryan Virgins (if you want to use that terminology). And there will be less hostility towards this peaceful movement that prefers to be with people like themselves in an age of post-liberalism and multiculturalism.

The youth of the alt-right is foolish to consider throwing their opponents into gas chambers and making excuses like “I’m gay and I’m just like you.” This will only further divide the alt-right as “nazies” and create an entire new generation hostile against them. It’s why there needs to be a new focus on an alt-left movement.

This alt-left movement will not be the decadent “left-wing” or “antifa” we know from our culture. The alt-left will have a concrete foundation in these golden rules:

1. The “left” is a western experience. It is not compatible with non-white civilizations, and is rather a “term” to describe the interest of the people and their own liberty. It is suggestive rather than definitive.

2. The alt-left is a trinity about friendsfamily, and freedom. The alt-left fights for universal friendship, whoever we may associate and live our lives with. The alt-left will protect our families, private or public, and will advocate natural order of both the patriarchy and matriarchy along with tradition. And the alt-left will fight for “freedom,” the desire we feel as human beings that wish to transcendent the boundaries of human nature. We are not ”transhumanist” and feel that it is immoral to be one. For obvious reasons, take a look at the stupid fad of transgender rights and “the progressive stack.”

3. The alt-left is starting over again at year zero. Everything we knew as a “left-wing” will be destroyed. The French Revolution was a misunderstanding, communism goes against human nature, and The Frankfort / New Left school is wrong (and a slow defeat for the left to give up and create “Cultural Marxism”). We don’t associate with Žižek, Derrida, Foucault, Althusser, Deleuze, or any kooky “postmodern” philosopher that is talented in rhetorical, pseudo-scientific, creative writing. It is important that the alt-left is critical of everything the left stands for, and creates a new culture and institution beyond what we know as the “the transhumanist mind virus.” The movement will be peaceful and voluntary.

4. The alt-left is not about “social justice,” “progress,” or “equality.” The alt-left is against egalitarianism, root and branch. Equality is not a good, and is a complete ideology of its own that is often mistaken by a normie as “the left.” The alt-left will be completely removed from egalitarianism and focus on friends, family, and freedom in it’s own right.

5. The alt-left will not be hostile against the right wing. It will however be critical of the trad-fetishization and the close-minded conservative issues they radically uphold, but the alt-left is about ending the spiritual war between “left vs. right.” The alt-left wishes to create a movement that is against dictionary definitions. There are too many normies that associate with “the left,” and spread “cultural marxist” values. They don’t even know what side they are on.

6. The alt-left is planning for a future after multiculturalism, diversity, and the postmodern world. It believes that “ethnonationalism” is a possible surrogate and cure for egalitarianism and The Kalergi Plan (the alt-left is against this program as well). The alt-left is acting as a responsible parent and gambling on a future that is distant and away from the pozzed society we suffer through now.

…These are some points what the alt-left should stand for. If only we had more bloggers advocating for such a movement, we could have more peace and less violence in today’s racial and political climate. But again, the spiritual divide between left and right still conquers us as a people. Our common enemy is the globalist that want to erase our identities. We want to be with people like ourselves and have our own cultures and institutions.

I believe Asian-Aryanism is neither left or right wing. But the alt-left would be in favor of letting Asian-Aryanism happen, whatever name it may take in the coming Eurasian-anime future.